Seaver Acknowledgements First and foremost I would like to thank my wife Amalie for reading, proofing, re-reading and re-proofing my work this semester. She probably now knows more about Franz Kafka than any other Medieval Literature major on this or any other planet. I want to thank my classmates for putting up with what I'm sure they thought was an odd and somewhat obscure choice for my papers; especially Jane Emerton who peer reviewed all of them. Last and in no way least, I want to thank Jan Worth, not only as our instructor and fearless leader through this semester, but also for putting up with my Kafka obsession and guiding me through this tangled web that is my mind.
His alarming width and length make his transformation all the more terrifying for his family, who see him now and think of him as a monster.
This feeling of going out of his mind might actually be an instinctual response to danger, in which case his fear would both require and hinder his retreat.
In this case, the narrator's jaw snaps in shock and horror, as if he's trying to speak. In Gregor's case, his body and his mind are at a disconnect, but have grown gradually more aligned as he loses his ability to speak and learns how to walk.
It links the two ideas together, implying that her tears are proof of her cleverness, that she cried in some ways because she's clever and figured out that something is wrong with Gregor.
This semicolon appears in the original German as well, meaning that the translator has preserved it to retrain this subtle bit of characterization. This indifference in the face of a strange and uncomfortable situation further characterizes him as someone whose self-interests supersede his empathy for other people.
His former status as a lieutenant, and not a mere soldier, suggests that he was at one time a man with some power and prestige, and that his job as a traveling salesman is a significant step down. It would appear from the fact that his parents didn't wake him up earlier that they don't generally invite him to breakfast and that they may well wait until he's usually gone to eat.
That it's so near and that he can't reach it symbolizes the futility of his situation, which, like the hospital, seems endless, a kind gray, lifeless box that's trapped him perhaps forever in this bug-like body.
The hypocrisy of this her sleeping in while he's forced to wake up obscenely early indicates that she has grown comfortable in her position, living off of Gregor's wages, and that her life is comparatively idle. It's very possible that what appeared to him to be quick and difficult was in fact long and painful for those on the other side of the door.
It becomes clear in this passage that this existentialist belief has in fact become a reality, and that Gregor is no longer able to speak German the original language of The Metamorphosis.
His parents begin to speak through his room, effectively rendering him and it insignificant, almost as if they don't exist.
To what extent did Kafka use comedy/irony to develop his tragic, cynical view of society and family? Gregor Samsa, a young traveling salesman who lives with and financially supports his parents and younger sister, Grete, wakes up one morning to find "himself changed in his bed into a m. Franz Kafka is said to be one of the most influential writers of his time. His short story ‘The Metamorphosis’ is considered to be his best work by many scholars and readers. Read expert analysis on character analysis in The Metamorphosis. Kafka separates the mind and the body here, suggesting that they're both entities that can be "fled" or get left behind, and that when this happens the body and the mind act of their own accord.
This is akin to saying that it won't be his fault or that it hasn't been. Of course, given what we know about his family and the attorney, it's not likely that he'll get off without a hitch.
Note also that in this scenario and the next Gregor will be calm and have no reason to be excited. This appears to be what he wants.
It could be that if they take his appearance in quietly, then his transformation isn't real, and it's all in his head. Or it could be that his metamorphosis can be lived with in a terse, horrified silence, and that Gregor intends to go about living as if he hasn't changed, though everyone will know that he has.
Neither of these seem like viable options for him at this point, which further emphasizes the futility of his attempt to open the door. Given that Gregor has been working there for five years already, the reader can safely assume that he is or was a good salesman.
This is hard to believe, given what we know about his personality, but if he's desperate for money he may be able to push himself to be more of a vibrant, interesting, charismatic person than he appears to be.
His transformation may be a result of his inability to continue to do this. There's no evidence to support this within the text, and we can't be sure what did or didn't happen before Gregor's metamorphosis.
Given his determination to go to work despite his situation, readers may assume he didn't steal this money and his boss is just being needlessly suspicious. In no way has Gregor been "parading" his predicament around, but by having the attorney say he has Kafka demonstrates how absurd and stifling bureaucracies can be when simply staying home labels someone as a drama queen.
Knowing this, the attorney's friendly aside here reads like a very potent warning. Gregor is "still here" because he still exists and because, in spite of his sudden metamorphosis, his mind and consciousness are inside the pest's body.
Sinead, Owl Eyes Contributor "an embarrassing stillness set in; in the adjacent room on the right, the sister began to sob Given that the next clause of the sentence sees the sister sobbing, and not Gregor, it's more likely that his parents are embarrassed, and that this reaction, like his sister's crying, is a direct result of fear: In this case, the embarrassment isn't Gregor's, then, but is something he considers unnecessary.
She tries to characterize him as a diligent worker, but the reader can read between the lines here and see that Gregor's life is really small, and that aside from his woodwork he has no outside hobbies likely because they'd be too expensive.In Kafka's short story entitled, "The Judgement," written in , we see one of the unusual uses of irony by Kafka.
The central figure, Georg Bendemann, has just gotten into a long and somewhat heated argument with his aging and infirm father. The Metamorphosis by Franz Kafka I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story.
I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. A summary of Themes in Franz Kafka's The Metamorphosis. Learn exactly what happened in this chapter, scene, or section of The Metamorphosis and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. The Metamorphosis by Franz Kafka.
Home / Literature / The Metamorphosis / Analysis ; The Metamorphosis Analysis Literary Devices in The Metamorphosis. Symbolism, Imagery, Allegory. The Metamorphosis was a big hit when Kafka read the story out loud to his buddies in Prague.
He had to keep pausing in order to give everyone a chance to. The Metamorphosis: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
Franz Kafka and Ismail Kadare were two of the most extravagant storytellers of modern times. Franz Kafka wrote the short story, The Metamorphosis and Ismail Kadare wrote the novel, Broken April. In these two stories, there is a sense of sadness and darkness that both author’s portrayed in them.